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From the beginning of time fathers have taken their sons on hunting, fishing and camping trips in order to pass on their own knowledge, skills and experiences on how to conquer Mother Nature. These almost ritual trips not only function as important lessons for the sons, but also bind the two participants closer together. Relationships are strengthened and skills and experiences passed on. But Nature is a worthy adversary and sometimes the lessons are taught to Man instead. Mark Slouka's short story “Crossing” from 2009 centers around such a ritual trip where a father, suffering a life crisis, wants to show his son how to beat the difficult opponent that Nature is and thereby strengthen the relationship between them and once again find meaning with his own life.
Through a third person limited narrator we see a father who is on a difficult path to set things right after a divorce from his wife. He now finds himself in-between things in his life and does not know where to turn or where to go. Having perhaps played a central part in the break up, he is now determined to find something that matters and has set his heart on maintaining a sound relationship with his son, “when he looked at her she shook her head and looked away and at that moment he thought, maybe—maybe he could make this right.” (ll. 19-20). He believes that showing his boy the place he spent his childhood with his own father and sharing some of his own memories, will bring them closer together.
Slouka places the point of view with the father in order to show us how he experiences the situation of having been divorced, and how he now tries to regain order and meaning in his difficult life. We are invited into the thoughts, experiences and past of the father and thereby get a glimpse of the things he is struggling with, “He hadn't been happy in a while.” (l.1). By employing this narrative technique, Slouka brings us as readers very close to the father and we experience and feel his pain first hand. We quickly become sympathetic with him, and we want him to succeed. The father, who remains unnamed, is a loving and caring father, “…when the boy came running into the living room he threw him over his shoulder, careful not to hit his head on the corner of the TV…” (ll.16-17), and these positive character traits make us further emotionally invested in him. Since we don't have access to the boys thoughts, because of the limited narrator, Slouka uses physical descriptions and the father's thoughts to paint the picture of a small fragile boy who needs his father's protection, ”He looked at the miniature jeans, the sweatshirt bunched beneath the seat belt's strap, the hiking boots dangling off the floor like weights.” (ll. 7-8)... Køb adgang for at læse mereAllerede medlem? Log ind